The Naturalists Companion containing drawings with suitable descriptions of a vast variety of Quadrupeds, Birds, Fishes, Serpent and Insects; & accurately copied either from Living Animals or from the stuffed Specimens in the Museums of the College and Dublin Society, to which is added drawings of several antiquities, natural productions &c containd in those Museums -- illustrated manuscript by Kenelm Henry Digby
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The Naturalists Companion containing drawings with suitable descriptions of a vast variety of Quadrupeds, Birds, Fishes, Serpent and Insects; & accurately copied either from Living Animals or from the stuffed Specimens in the Museums of the College and Dublin Society, to which is added drawings of several antiquities, natural productions &c containd in those Museums -- illustrated manuscript by Kenelm Henry Digby
- Publication date
- 1810
- Topics
- indigenous artefacts, angaroos, useums, ative animals, ative birds, atural history illustrations, rnithological illustrations
- Collection
- biodiversity
- Contributor
- State Library of New South Wales
- Language
- English
- Item Size
- 442.6M
Albums - 39.6 x 25.2 x 5.4 cm - 1 album of 544 pages, combining manuscript text with 440 watercolour illustrations. Contemporary full calf covers, re-backed
The manuscript describes and illustrates a variety of animals, fish, insects, natural and ethnographic productions and antiquities from England, Ireland, India, Spain, Africa, China, America, Australia, New Zealand and the Pacific. It includes a number of Australian animals, such as the kangaroo, and illustrations of Pacific artifacts collected on Captain James Cooks second and third voyages held by the Dublin Society and the Trinity College Museum.It seems that Digby composed the text himself although much of its content is drawn from published authorities. He cites numerous standard reference sources such as George Buffon's "Natural History". The text, which concentrates mainly on animals (about 300 of the illustrations are natural history) rather than ethnographic or antiquarian specimens, is largely anecdotal. He is not interested in the anatomy or physiology of the animals he describes, and nor does he attempt to position them within a classification scheme. He uses popular rather than scientific names.It is significant to note that living Australian natural history specimens had reached Dublin by the early 1810s as part, it appears, of a commercial menagerie
Dated before Digby left Dublin for Trinity College, Cambridge
Purchased November 2001
Kenelm Henry Digby was born in Ireland in 1800 to a prominent Protestant family, and died in London in 1880, his home for most of his later life. He attended Trinity College, Cambridge, where he took a B.A. in 1819. At Cambridge he converted to Catholicism, and devoted the rest of his life to literature and writing, with a particular interest in Catholic theology and medieval antiquarianism. His work on the medieval period, Mores Catholic, or Ages of Faith, ran to eleven volumes (1831-1840) and provided an encyclopedic account of medieval life from a Catholic viewpoint. He was considered a moderately important writer during his own lifetime -- see Dictionary of National Biography; The Catholic Encyclopedia, 1908
Exhibited in: National treasures from Australia's great libraries
The manuscript describes and illustrates a variety of animals, fish, insects, natural and ethnographic productions and antiquities from England, Ireland, India, Spain, Africa, China, America, Australia, New Zealand and the Pacific. It includes a number of Australian animals, such as the kangaroo, and illustrations of Pacific artifacts collected on Captain James Cooks second and third voyages held by the Dublin Society and the Trinity College Museum.It seems that Digby composed the text himself although much of its content is drawn from published authorities. He cites numerous standard reference sources such as George Buffon's "Natural History". The text, which concentrates mainly on animals (about 300 of the illustrations are natural history) rather than ethnographic or antiquarian specimens, is largely anecdotal. He is not interested in the anatomy or physiology of the animals he describes, and nor does he attempt to position them within a classification scheme. He uses popular rather than scientific names.It is significant to note that living Australian natural history specimens had reached Dublin by the early 1810s as part, it appears, of a commercial menagerie
Dated before Digby left Dublin for Trinity College, Cambridge
Purchased November 2001
Kenelm Henry Digby was born in Ireland in 1800 to a prominent Protestant family, and died in London in 1880, his home for most of his later life. He attended Trinity College, Cambridge, where he took a B.A. in 1819. At Cambridge he converted to Catholicism, and devoted the rest of his life to literature and writing, with a particular interest in Catholic theology and medieval antiquarianism. His work on the medieval period, Mores Catholic, or Ages of Faith, ran to eleven volumes (1831-1840) and provided an encyclopedic account of medieval life from a Catholic viewpoint. He was considered a moderately important writer during his own lifetime -- see Dictionary of National Biography; The Catholic Encyclopedia, 1908
Exhibited in: National treasures from Australia's great libraries
- Abstract
- The manuscript describes and illustrates a variety of animals, fish, insects, natural and ethnographic productions and antiquities from England, Ireland, India, Spain, Africa, China, America, Australia, New Zealand and the Pacific. It includes a number of Australian animals, such as the kangaroo, and illustrations of Pacific artifacts collected on Captain James Cooks second and third voyages held by the Dublin Society and the Trinity College Museum.It seems that Digby composed the text himself although much of its content is drawn from published authorities. He cites numerous standard reference sources such as George Buffon's 'Natural History'. The text, which concentrates mainly on animals (about 300 of the illustrations are natural history) rather than ethnographic or antiquarian specimens, is largely anecdotal. He is not interested in the anatomy or physiology of the animals he describes, and nor does he attempt to position them within a classification scheme. He uses popular rather than scientific names.It is significant to note that living Australian natural history specimens had reached Dublin by the early 1810s as part, it appears, of a commercial menagerie.
- Addeddate
- 2019-11-04 07:47:04
- Call number
- Naturalists-Companion-K-H-Digby
- Call-number
- Naturalists-Companion-K-H-Digby
- Foldoutcount
- 0
- Identifier
- naturalistscomp00digb
- Identifier-ark
- ark:/13960/t0008588b
- Identifier-bib
- Naturalists-Companion-K-H-Digby
- Ocr
- tesseract 5.0.0-rc2-1-gf788
- Ocr_detected_lang
- en
- Ocr_detected_lang_conf
- 1.0000
- Ocr_detected_script
- Japanese
- Ocr_detected_script_conf
- 0.6239
- Ocr_module_version
- 0.0.14
- Ocr_parameters
- -l eng
- Page_number_confidence
- 67.51
- Pages
- 554
- Pdf_module_version
- 0.0.17
- Possible copyright status
- Public domain. The BHL considers that this work is no longer under copyright protection.
- Ppi
- 300
- Year
- 1810-1817
- Full catalog record
- MARCXML
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